September 9, 2006
Latin American Artists, #4, Maria Magdalena Campos Pons
Maria Magdalena Campos-Pons
Replenishing
Polacolor #6 prints, 1998
Born and raised in Cuba, María Magdalena Campos-Pons studied in Havana at the National School of Art and the Superior Institute of Art (ISA), later training at the Massachusetts College of Art in Boston. She has lived and worked in Boston since 1991 and has shown extensively in the United States, Canada and abroad. Her work is in important public and private collections, including the National Museum of Fine Arts in Havana and the Museum of Fine Arts, Boston. Campos-Pons was one of the artists in the United States representation at the 1997 Johannesburg Biennale, and showed in the 2001 Venice Biennale. Campos-Pons works in a variety of media, including photography, painting, and performance video. Recurring themes in her work include maintaining ties with the people and land from which she comes, the special character and role of women's discourse in society, and the nature of family communication.
Abriendo Caminos 2, 1997. Large-format Polaroid.
Check out "RITUAL, MIRROR AND EYE," Saint Louis University, Museum of Contemporary Religious Art .
http://mocra.slu.edu/past_exhibitions/RitoEspejoOjo.html
Latin American Artists, #3 Teresita Fernandez
Teresita Fernández is a sculptor who integrates architecture and the optical effects of color and light to produce exquisitely constructed, contemplative spaces. In her sculptural environments, Fernández alters space to create illusions, subtly modifying the physical sensations of the viewer and dramatizing the role architecture plays in shaping our lives and perceptions. Her room-sized installations evoke quietude and mystery, reflecting such diverse aesthetic influences as Roman and Ottoman architecture and Japanese gardens. In other works, she creates large-scale, referential constructions, such as a pool, a waterfall, and a sand dune stripped of specific context. With these pared-down pieces, she invites viewers to draw from their personal memories and observations. Employing common building materials to startling effect – tiny plastic cubes form a shimmering rainbow and acrylic rods suggest the flexible strength of bamboo – she inspires viewers to see a new relationship between built environments and the natural world. With lyrical and immaculately executed indoor and outdoor works, Fernández is pushing the boundaries of sculpture and installation art into the fields of architecture and landscape architecture.
Latin American Artists, #2 Liliana Porter
The toy is the recipient of our subjectivity . . . it is an entity capable of becoming, through us, either banal or significant. Every emotional relation with a toy is our creation; its sense, its intention and its weight depend on us.
- Liliana Porter-
"Blue Eyes," 2000, cibachrome, 32.5 x 22.25 inches
This is a link to her exhibition, "Secret Lives of Toys": Liliana Porter Photographs, Orme Lewis Gallery at the Phoenix Art Muesum
Liliana Porter, born and raised in Argentina, lives and works in New York. Although primarily a printmaker and painter, photography has been a point of departure for her work, as have children's toys and kitsch objects. In this exhibition, her deceptively simple photographic portraits feature toys and figurines, alone or in pairs, who are directly engaging the viewer or conversing between themselves. The moment caught by Porter's camera seems to be real, as if the characters are posing and have even dressed up for the occasion.
Really delightful...
Latin American Artists, #1 Vik Minuz
Peruse some of Vik's playful, fun, witty, enigmatic images., Sugar children, Pictures of chocolate, River Bone, Pictures of wire, The invisble object, Pictures of thread.
This is a link to the "WORST POSSIBLE ILLUSION: The Curiosity Cabinet of Vik Muniz, a film by Anne-Marie Russell, Director/Producer; Paige West, Executive Producer; Aaron Woolf/ Director of Photography; Iris Cahn/Editor; Selina Lewis Davidson /Co-Producer; Nancy Roth/ Co-Producer
http://www.vikmuniz.net/main.html
August 1, 2006
Museum Andres Blaisten,The 24 Hour Virtual Museum
This virtual Museum showcases an important collection of Mexican Art from Andres Blaisten’s private collection. The exhibition includes works from the first half of the Twentieth Century, as well as the Nineteenth Centuries, along with colonial paintings.
The site is divided into several periods or themes, beginning with "Art from Modernism to the Avant-Garde," and includes works by Ángel Zárraga, Alfredo Ramos Martínez, Diego Rivera, Carlos Mérida and Rufino Tamayo, among others.
Other works by other equally important, though lesser known artists can be viewed in the Country to City, Dialogs and Proposals, Contemporary Art I and II, Painting of New Spain, and Temporary Exhibition areas.
The original works are housed and are displayed throughout Andre Blaistens's private home and are the result of more than 30 years of careful selection. The comprehensive collection is a wonderful insight into the evolution of Mexican fine arts.
You'll be surprized to see who's part of this extensive collection.
March 27, 2006
What is a "Foto-Novela"?
The illustrated novel, or foto-novela, also known as historietas, has recently enjoyed a burst of mainstream popularity in the United States. (Technically, the foto-novela is illustrated with photos while the historieta employs drawings, but the two terms often are used interchangeably.) These “comic books” with complex perspectives and dark imagery have had a long history and far-reaching impact within the Latino and Chicano communities in the U.S., as well as Mexico and Latin America, where they continue to thrive as a mainstay of popular culture.
In Mexico, the form has its roots in turn of the century historietas, which were originally illustrated cartoon versions of popular works of European literature. Published in numerous episodes, these stories eventually gave way to original series that focused on contemporary Mexican life. Popular to this day, the modern historieta ranges from educational to political, entertainment to pornography, and everything in between. Print runs for these series can run as high as 250,000 or more, reaching an enormous reading public.
In the United States, the foto-novela/historieta has a distinct manifestation in the Chicano/Latino community, providing a unique idiom through which the community addresses social concerns using a highly innovative visual language. As a popular and flexible form, the foto-novela has been used in increasingly fresh ways by visual artists and writers to address important social issues within the Chicano/Latino community. Activists and religious groups have also turned to the form as an organizational tool for outreach, education and proselytizing.
The graphically illustrated historieta and the photographed foto-novela use deceptively simple didactic stories. The plots are usually high melodrama, with classic "rags-to-riches" situations, or secretive, forbidden love between two people from different social classes. Some of the stories, however, have elements of the supernatural or are loaded with underworld figures that suggest film noir. There is often a strong idealism in the books as well, carrying a moral message along with the idea that that romantic dreams and aspirations can come true. Stylistically, the foto-novela is often noted for distinctive use of angles, lighting, composition and space.
Chicano/Latino comic book artists in the United States have been heavily influenced by the form, adapting and transforming the style and melodrama to explore different subcultures, darker realities and questions of identity. Gilbert and Jaime Hernandez’ work Love and Rockets not only helped popularize the foto-novela form but played an important role in sparking the American alternative comic and graphic novel movement.
February 15, 2006
Mexican Masks
www.randafricanart.com/
I've decided after viewing a few masks in a local store, real ceremonial masks along with fakes that it would be interseting to follow through and discover how these beauties are used in cermony and during festivities.
The mask depicted comes from Zitlala, Guerrero, and is refered to as a Tigre, otherwise known as the jaguar.
They are used to to celebrate the feast of the Holy Cross, on May 3-5th.
Other amazing masks from The Mask Monger, check it out at http://www.mexicanmasks.us/#CM
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