Frida Kahlo
Why did Frida paint herself? Her preferred exercise seems to have been shaping and perpetuating the image the mirror returned, enriched by her own art and imagination. Her friend, Alejandro Gomez Arias, a Mexican writer, to whom she gave her first self-portrait, commented: "Frida painted as a final means of surviving, of enduring, of conquering death." On the other hand Frida herself answered this question by saying, "I paint self-portraits because I am so often alone. Because I am the person I know best."
[Espacio, Art Magazine 1983]
June 9, 2005
Frida Kahlo Exhibition Opens at Tate Modern
LONDON, ENGLAND.- , The first major exhibition in over twenty years devoted to the work of the celebrated Mexican artist Frida Kahlo (1907 -1954) will open today at Tate Modern. The exhibition is sponsored by HSBC, who are sponsoring a major arts project for the first time. Frida Kahlo is now regarded as one of the most influential and important artists of the twentieth century. She lived and worked during a time of incredible social and cultural upheaval in Mexico. Featuring more than seventy pieces, including many iconic oil paintings, as well as some lesser known early watercolours, drawings and oils, the exhibition will enable a comprehensive investigation of her artistic career.
Kahlo began painting after a serious traffic accident in her late teens led to frequent hospital visits and surgery. Her complex works combine profoundly personal subject matter with references to medical and anatomical imagery as well as Aztec, Colonial, and Mexican popular and folkloric arts and crafts. Broadly chronological in form, the exhibition will examine how Kahlo exploited the history and traditions of painting including still life, portraiture, narrative and religious paintings and subverted these for her own ends, infusing them with powerful political insight, humour and candid self-analysis.
Drawing from key international collections, this is the first exhibition in this country ever to be dedicated solely to the work of the artist. It explores her contribution to the art of self-portraiture and includes Frida Kahlo and Diego Rivera 1931, a marriage portrait that graphically depicts the dominant human relationship in her life, and which also reveals her interest in naïve popular painting; The Little Deer, 1946 which depicts her as a wounded stag in a forest; and Self- Portrait with Monkey 1938. The centrepiece of the exhibition is The Two Fridas 1939, one of her largest and most ambitious canvases. Combining surrealist tendencies with acute anatomical and psychological insight, it depicts a doubled self, one European, the other Mexican, one loved, the other unloved. These works demonstrate a remarkable richness of detail and symbol, as well as hinting at the pain behind Kahlo’s unsmiling mask of a face...artdaily.com
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Kahlo began painting after a serious traffic accident in her late teens led to frequent hospital visits and surgery. Her complex works combine profoundly personal subject matter with references to medical and anatomical imagery as well as Aztec, Colonial, and Mexican popular and folkloric arts and crafts. Broadly chronological in form, the exhibition will examine how Kahlo exploited the history and traditions of painting including still life, portraiture, narrative and religious paintings and subverted these for her own ends, infusing them with powerful political insight, humour and candid self-analysis.
Drawing from key international collections, this is the first exhibition in this country ever to be dedicated solely to the work of the artist. It explores her contribution to the art of self-portraiture and includes Frida Kahlo and Diego Rivera 1931, a marriage portrait that graphically depicts the dominant human relationship in her life, and which also reveals her interest in naïve popular painting; The Little Deer, 1946 which depicts her as a wounded stag in a forest; and Self- Portrait with Monkey 1938. The centrepiece of the exhibition is The Two Fridas 1939, one of her largest and most ambitious canvases. Combining surrealist tendencies with acute anatomical and psychological insight, it depicts a doubled self, one European, the other Mexican, one loved, the other unloved. These works demonstrate a remarkable richness of detail and symbol, as well as hinting at the pain behind Kahlo’s unsmiling mask of a face...artdaily.com
Click the Title Link to continue.
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